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For my first layered mani in months, I’m wearing another long standing untried. Lippmann Happy Birthday (my bottle is the “old” version, from Holiday 2009) is a multicolored hex and small square glitter in a clear base. I layered it over Chanel Black Velvet:

Happy Birthday (over black)

Picture taken in sunlight. I used two coats of Black Velvet, and “two” of Happy Birthday, The glitter is actually not that dense so painting in normal brushstrokes will deposit just a very sparse amount on the nail. Instead, I applied drops of glitter and spread it around to make sure I had even distribution, repeating the process twice to get plenty on there. I feel like this is the OG “party glitter;” I think it’s the first one I ever bought. “Party in a bottle” is an accurate descriptor; I see so many colors of glitter, in both the hexagonal and square shapes: silver, yellow, green, orange, blue, fuchsia. I like putting this type of glitter over black to make those colors really pop. This isn’t my favorite of the few party glitters I’ve tried so far; I prefer Nails Inc. Soho Street because it’s more dense at two coats, but I still like this classic. I paired it with Illamasqua Aorta on my toes.



This is another black polish I didn’t want to wait until the fall to try. I wanted to wear this one, especially, sooner rather than later, since I didn’t want it to sit untried in my Helmer for a couple of years like some of its counterparts, Bad Romance and Ruby Red Slippers. Lippmann Cleopatra in New York (Holiday 2012) is a black jelly base packed with different-sized gold hex glitter:

Cleopatra in New York

Picture taken in weak sunlight. The base was really loaded with glitter, so I found the formula really thick. Because the base was sheer and jelly-like, I ended up needing three coats for opacity. With three coats I got so much glitter on my nails but surprisingly the surface feels smooth with just one coat of topcoat. I don’t know why there are so many more black with silver glitter polishes out there, because black and gold is a great combination too! This is a neutral shade of gold; I like that it’s not too warm that it looks yellow, or too cool that it looks champagne rather than gold. I particularly love looking at this one from a distance; my nails look like they’re gilded with gold, and that gold really stands out against a black background. The luxurious look and the name make me think of the 1920s, so somehow I feel right wearing this during the weekend The Great Gatsby opens. I paired this with Chanel Jade on my toes.


This is the last of the black glitter-speckled polishes I have. I always used to associate glitter with “sparkly,” so I before these polishes came out I couldn’t imagine what black glitter would look like, but matte black glitter works perfectly against light/pastel creme bases! Lippmann Polka Dots and Moonbeams (Staccato Collection, Spring 2013) is a white creme with small black hex glitter:

Polka Dots and Moonbeams

Picture taken in sunlight. (I’ve been loving growing out my nails, but the length makes it harder to crop pictures as closely as possible. :/) Out of the three in this collection, this one seemed to contain the most black glitter. The formula was a little thick but still applied pretty well, and I only needed two coats (with touchups in between) for full coverage. I love the simple contrast of black and white (and grey too, the glitter that sits under the surface takes on a lighter hue.) When I saw these in stores, I only bought Rockin’ Robin because that was the only one I thought I really “needed,” but I’m glad I ended up buying the rest. It’s a lovely collection, and I’m Not Edible actually turned out to be my favorite! The other two reminded me so strongly of ice cream, and this one definitely does as well, of cookies n’ cream, another one of my favorite “standard” flavors. It also makes me think of dalmatians! I paired this with Lippmann Funky Chunky on my toes.


I think I like these speckled polishes so much because I have a sweet tooth, and they make me think of a number of sweet treats. The ones from this collection make me crave ice cream. 🙂 Lippmann Rockin’ Robin (Staccato Collection, Spring 2013) is a soft pastel mint creme with small black hex glitter:

Rockin' Robin

Picture taken in sunlight. This applied smoothly and was well-pigmented; I got full coverage in two coats, with some touchups in between. It could have just been my application but I got less glitter on the nail here than with I’m Not Edible. Based on trying I’m Not Edible, I also expected this to be much more brightly stark, but it actually has a really soft look. It’s a gorgeous mint color. I previously said that Illamasqua Mottle reminded me of mint chip ice cream, but this one really, really looks like I have mint chip ice cream right on my nails (but as there can be different shades of mint nail polish, there can be different shades of mint ice cream). Mint chip is my favorite “standard” flavor of ice cream, so I love looking at this. I paired it with OPI Mod About You on my toes.


I couldn’t stay away from these speckled, sprinkly polishes for long, so today I have on Lippmann I’m Not Edible (Staccato Collection, Spring 2013), a sweet pastel pink creme with small black hex glitter:

I'm Not Edible

Picture taken in sunlight. The sun sort of washes out the color, making it look really light, stark and very pastel, but it can look a a couple of shades darker (but still light pink) out of direct lighting. I’m so pleasantly surprised by all these smoothly-applying pastels I’ve been trying lately! Because this one was so pigmented, with some touchups I only ended up doing two coats instead of three full ones. Even though this look involves black hex glitter in a pastel creme base, the polishes from this collection are different than the Speckled Nail Varnishes from Illamasqua’s I’mperfection collection. While the Illamasquas had both large hex pieces and small regular glitter, these only have smaller hex pieces (which was justification enough for me to get them all :p) The black glitter works equally well here. There’s quite a lot of it, and it stands out nicely against the pastel base. The pink color looks incredibly sweet and delicious, too. It really makes me want a strawberry ice cream! I paired this with OPI Hey! Get in Lime! on my toes.


After so many reds and pinks in a row, I felt the need to wear a something different, something on the other side of the color spectrum, Lippmann Don’t Tell Mama (Fall 2009) is a deep greenish teal shimmer:

Don't Tell Mama

Picture taken in sunlight. This doesn’t exactly have that effortless buttery formula, it still applied well, needing two coats for complete coverage. This was another long-standing untried, and once I had it on I remembered why I wanted it so much. It’s gorgeous! It’s a deep shade, so it looks deliciously vampy in low light. Of course it looks best in the sun, where all the shimmer gets lit up. It’s blue enough to still be considered a teal, but it’s on the green side of things. I like Deborah Lippmann’s description of this as a “mood ring blue/green,” but I look at this and think of beautiful, luxe jewels. I paired this with Nails Inc. Houses of Parliament on my toes.


I’m concluding a week of reds with Lippmann Ruby Red Slippers (“Celebrate” 10th Anniversary Set), a black base with red glitter and hex sequins:

Ruby Red Slippers

Picture taken in sunlight. The black base is on the sheer side but it’s absolutely loaded with red glitter. This applied well, and I managed to get an even distribution of glitter on the nail. I got full coverage in three coats. This requires two coats of topcoat to smooth the finish out, but one is enough to set it nicely. I love how much red glitter there is; it’s definitely not just sprinkled in there! It’s so densely packed that from a distance, it can almost look like a just a dark red glitter. Even without the suggestion of the name, this makes me think of Dorothy’s ruby slippers, with a gothic twist. It seems like a Christmasy color scheme, but I was thinking Oz when I paired this with Barielle Date Night on my toes.


I’ve been meaning to wear this polish in the month of February for the past two years now. I don’t recall what sidetracked me then, but this year I thought I’d better try it straight away to start off the month. Lippmann Bad Romance (fall 2010) is a black base with fuchsia glitter and hex sequins:

Bad Romance

Picture taken in weak sunlight. The black base needs to be a bit sheer to allow the glitter to shine through, so I needed three coats for full coverage. It’s best to avoid doing too many brushstrokes or not waiting long enough between coats because that will push the hex glitter towards the free edge. One coat of topcoat leaves it pretty smooth, but you need two to achieve that glassy feel. I was surprised that I didn’t get as many hex pieces on the nail as when I tried Across the Universe, the counterpart in the collection, but I still love this polish anyway. Black with fuchsia glitter isn’t that unique of a combination, but it’s one that works so well. Black works well as a background to almost anything, but I really love it with fuchsia because it’s a little bit girly and a little bit dangerous. I think the look represents its namesake well. It makes me want to listen to “Bad Romance,” which I haven’t heard in a long time! I paired this with MAC Baby Goth Girl on my toes.


The polishes from China Glaze’s Khrome collection are not the only long-standing untried metallics I have. To break things up a bit I’m wearing Lippmann Marquee Moon (Fall 2009), a gunmetally silver metallic shimmer with large silver hexagonal sequins:

Picture taken in sunlight. This applied pretty well; I needed two coats for full coverage. It’s a little brushstroke-y there is enough shimmer in there to keep it from looking frosty. When  this was released I went back and forth over whether I wanted to buy it, and I finally did, despite reading some unfavorable reviews, just because it was so unique-looking. I kept putting off wearing it because I was afraid it just wouldn’t look that good. Now that I have it on, I can say that I like it a lot more than I was expecting to (I think it looks much nicer in person than in photos.) It’s pretty easy to get multiple sequins on each nail, as long as you don’t do too-thin coats. I would often just put a bead of polish on the nail then spread it out. I wish it was pigmented enough to be a one-coater, though. You can end up covering some of the sequins from the first coat when you apply the second coat. It’s best to wait a few minutes before applying topcoat to give the sequins time to rise to the surface. I call this color a gunmetally silver because it seems darker than a typical silver, and it’s also darker than the sequins, making a good enough contrast. The sequins are quite large and the ones that rise to the surface are very reflective. So far I’ve only tried one other Lippmann polish that has sequins, and I prefer it when they’re set in a jelly base rather than a metallic base, but this is still a cool look. I paired this with Lippmann Rhapsody in White on my toes (I can’t believe I own this; my tastes have certainly changed over the years.)


Continuing the theme of springlike neutrals, I’ve put on Lippmann Waking Up in Vegas (Spring 2010), a warm grey creme:

Picture taken in sunlight.  This applied well in two coats.  I thought this had an unusual formula; it was very pigmented and did go on easily, yet I felt that it wasn’t very flowy and needed topcoat to make it look smooth.  On its own it dries satiny; it really reminds me of cement.  I have a lot of grey cremes in a range of shades, but most of them are cool-toned; it’s nice to add something different to my collection.  This was part of a spring release and I can see why; even though it’s grey its warmth makes it fit in with spring palettes.  It’s a very soft and fresh shade.  I paired this with Color Club Who Are You Wearing? on my toes.




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