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August 12, 2013 in Chanel, charcoal/gunmetal, metallic, microglitter, NOTDs | Tags: Chanel, fall 2011, foil, gunmetal, llusions d'Ombres de Chanel, metallic, microglitter, NOTD, silver | Leave a comment
Although this polish isn’t so summery, I wanted to continue wearing more long-standing untrieds. Chanel Graphite (llusions d’Ombres de Chanel, Fall 2011) is a silvery gunmetal foil with flecks of gold microglitter:
Picture taken in sunlight. This applied well, though I needed three coats for full coverage. The base is not that pigmented, but is loaded with microglitter, which shines through nicely. Any brushstrokes are totally covered up by the microglitter. This has shot straight to the top of my list of favorite metallics. I already love it for being incredibly sparkly, but it’s also a unique chameleon of a polish. Sometimes I look at it and it seems like a cool, dark gunmetal, other times it looks lighter and more silvery, other times it looks warm-toned, with a greenish-gold cast to it. The microglitter also gives this great, foily texture to the finish that you can see even out of bright light. Overall, it’s simply gorgeous, with such interesting depth and dimension. I paired this with MAC Seriously Hip on my toes.
For the final days of this year’s Championships at Wimbledon, I’m back to trying the rest of this collection, starting with OPI Pussy Galore (The Bond Girls), a textured baby pink metallic shimmer sprinkled with fuchsia glitter:
Picture taken in sunlight. This applied well, needing two coats for full coverage. Since the base is metallic, this looks deceivingly frosty when it’s still wet, but once it’s dry, the gritty texture masks the brushstrokes. The icy nature of the metallic finish is still preserved, though. Disappointingly, the fuchsia glitter didn’t show up when I photographed this mani, but it’s visible when you look at it in the light (it doesn’t stand apart from the base as much as the silver glitter in Solitaire, though.) Despite that, I still love the look (and of course the feel) of this polish. The sparkle is delicate but intense, and the finish has that sugar-encrusted look to it (and since it’s baby pink it looks especially sweet and girly). “Pussy Galore” is one of the most famously recognized Bond girl names, and definitely one of the most risqué-sounding ones, so I’m glad OPI got to use the name for their collection. :) I paired this with Sephora by OPI Sparkling Personality on my toes.
If there was ever a time to have a white mani during these Championships, it would be today, “the greatest day in tennis,” which saw all remaining men and women in the singles draws play to get into the quarterfinals. OPI Solitaire (The Bond Girls) is a textured white metallic shimmer sprinkled with silver glitter:
Picture taken in natural light. This applied well; I did two coats with touchups in between, since the first coat went on a bit uneven in appearance. Even though this is a metallic finish, it never looks brushstroke-y, since all the texture and glitter cover that up. It’s a really nice, clean shade of white that has a softness to it, so I think it’s more wearable than a really stark, white-out type of white. The silver glitter breaks up the white, making the finish look more interesting. As this was drying down, I noticed some turquoise and pink shimmer in there, creating a sort of mother of pearl effect, but I don’t really notice it once the polish is fully dried. Once again, I love feeling the texture of this when it’s totally dried and set; it’s like I have white sugar encrusted on my nails. :) I paired this with Sally Hansen Celeb City (Xtreme Wear) on my toes.
When I bought this entire collection, I was eager to try them, because I really love the Liquid Sand finish, but I thought they’d be perfect to try during Wimbledon, since the James Bond franchise and The Championships are both quintessentially British. Over the tournament I’ll be wearing them all, starting with OPI Honey Ryder (The Bond Girls) is a textured light blonde gold metallic glitter:
Picture taken in weak sunlight. (The lack of strong sunlight doesn’t properly show off its sparkliness, but I was happy to get a photo that shows off the texture and doesn’t have glare, which I always have to deal with when photographing metallics). This applied well; as long as you work fast it won’t get cuticle draggy. If I was in a hurry I probably could’ve gotten away with one coat, but here I did two. It dries fast, but not instantly, so I’d wait about ten minutes to really let this set. I’m not often drawn to gold polishes, but this neutral shade is just the kind of gold I like the most. That, combined with this Liquid Sand finish that I absolutely love, makes this my favorite plain gold polish. The texture and glitter totally mask the brushstrokes that come along with a metallic finish. While painting I accidentally got a drop of polish on my knee, and when I wiped it away some of the grit was left behind, and it actually looked like real sand, which is particularly fitting, considering the inspiration for the name. The scene of white bikini-clad Ursula Andress coming out of the ocean and onto shore in Dr. No is one of the most iconic in Bond movie history! I paired this with OPI Vampsterdam on my toes.
To follow up my previous NOTD, I’m wearing the other polish I got from this collection, and I’m also wearing this color for Oscars weekend. Illamasqua Swinger (Naked Strangers, Summer 2012) is a light champagne gold metallic foil:
Picture taken in sunlight. The formula was smooth and applied very well in two coats. There are some brushstrokes but they’re hardly visible due to all the foily shimmer. It’s nicely opaque for something so sparkly so I imagine this would be good to use for nail art. When I was looking at this in the bottle, I saw a very faint amount of holographic glitter. It’s hardly noticeable in the bottle, so it doesn’t really transfer to the nail. I only see it when I really look for it, but it’s worth mentioning ’cause it’s in there somewhere. This is the kind of shade I look for in a gold polish. Aside from those antiqued, honey golds, I don’t really like yellow gold shades, so I like that this is more neutral to cool-toned. It really does make me think of champagne when I look at it. :) I paired this with China Glaze Twinkle Lights over black on my toes.
For my last mani of the year, and the last in this series of reds, I’m wearing OPI Danke-shiny Red (Germany, Fall 2012), a cool candy apple red metallic shimmer:
Picture taken in weak sunlight. (This looks more cool-toned than the photo reflects.) This was well pigmented and applied very smoothly in two coats. The formula is metallic, but the shimmer hides any brushstrokes. Metallic finishes, even the shimmery ones, aren’t my favorite because of the brushstrokes, but I love them when they come in a rich color, and when they have that certain glow to them. This one definitely has both! This shade of red is on the cool side. It’s not exactly bright but still looks very vibrant because of the glow from the metallic finish. The glow on this one seems really intense, too. I can definitely imagine this being a car color. The name inevitably reminds me of Ferris Bueller’s Day Off, though. ;) I paired this with Sally Hansen Midnight in NY (Complete Salon Manicure) on my toes.
Happy New Year!
I don’t think I got this polish in time to try last fall, so I saved it to wear now. I was so excited to try it ’cause it’s definitely interesting and unique. Color Club Nouveau Vintage (Back to Boho, Fall 2011) is a blend of bronzy brown, red, green and gold microglitter:
Picture taken in sunlight. This applied well, though the formula was a tad sheer. I ultimately needed three coats for full opacity. The finish looks somewhat metallic so there are slight brushstrokes that are masked by the microglitter anyway. Cleanup was kind of a chore, the base is absolutely loaded with microglitter; you can see I still have some all over my fingers! The upside to all that microglitter is that it creates a pretty, fine sparkle. I love the mix of colors in this! The sunlight in my photo brings out the more greenish-gold side, but at other times it looks more reddish brown. Even though the color looks different in various lights, it doesn’t quite behave like a color-shifting duochrome. It’s like I can see all the different colors of microglitter at once, and they somehow play off each other nicely. I paired this with Color Club Rebel Spirit on my toes.
After owning these polishes for a while without touching them, I’ve been working through this collection slowly but surely this year. This last one is probably the most interesting of them all! Orly Space Cadet (Cosmic FX, Fall 2010) is a predominantly rosy pink multichrome microglitter:
Picture taken in sunlight. This applied well, but due to the sheerness of the formula I needed three coats for full coverage. This polish is beautiful but frustrates me because I found it impossible to photograph even remotely accurately! I tried taking pictures over two days and I still couldn’t capture how it looks in real life, so this is definitely one to see in person. Most photos I took made it look like just a brownish bronze. I only define this as predominantly rosy pink because that’s how it looks in the bottle, but on the nail, it color shifts at any given angle. Unlike other duochromes I’ve tried, which look like one color straight-on, then totally shifts to the other color at another angle, this one operates on a sliding scale of color change. As I move my nails, I can see swampy green, ivy green, bronze, rose pink, mauve, pinkish purple…there’s probably more! It’s a microglitter, too, so it’s nice and sparkly. The finish also comes across as having a metallic, spacey vibe. I know there’s a dupe out there in MAC Mean & Green, but I still look at this as unique. I paired it with OPI Excuse Moi! on my toes.
The last of the polishes I had to try from this great metallic collection was China Glaze Millennium (Khrome, Winter 2009), a pure silver metallic shimmer:
Picture taken in natural light. (Click to see it less blurry in full-size.) The formula was smooth and pigmented; I got full, even coverage in two coats, over two coats of basecoat. Although it doesn’t necessarily go with my skintone, I really like silver nail polish; often times I prefer it over gold. I love this shade; true silver can look so bright! This has a really futuristic vibe to it. At a quick glance this does look like molten silver on the nail. I hardly wear any jewelry so with this type of polish on I kind of feel like I am. I’m glad to have finally tried this collection! Since the formula shows every flaw on the nail, I wanted to wait for my nails to be free of any ridges and dents. I wasn’t too keen on the formula at first, but after finding the right techniques to make it work without excessive bubbles and brushstrokes, I totally came around. I particularly love the last three I tried. I still prefer the foil-type metallics, for the sparkly factor, but it’s great how the very fine shimmer in this keeps the finish from looking frosty, while still preserving the look of a “regular” metallic finish. I paired this with OPI Russian Navy Suede with topcoat on my toes.
This collection is mostly made up of different shades of gold, silver and bronze. The colorful exception is China Glaze Metallic Muse (Khrome, Winter 2009), a seafoam turquoise metallic shimmer:
Picture taken in sunlight. This applied well in two coats; it went on very smoothly over two coats of basecoat. It’s a good thing the formula is pigmented; it’s best to use as few swipes as possible because the more brush strokes you make, the more you open the mani up to cuticle drag. I think this is because the polish dries so fast so extra swipes of the brush drag along spots that are already dry. That’s also why it’s better to do thin coats, as thicker coats would dry too fast, which causes major bubbling. This sort of formula may be finicky but the payoff you get with the look of the finished mani is great. The shimmer is quite fine for a shimmery metallic but it does the big job of covering up brushstrokes and avoiding the dreaded frosty appearance. I love this color! It definitely stands out among the rest of the polishes in the collection, which are more neutral. It’s silver-toned, but unlike Sci-Fi, which was lavender-tinted but still mainly silver, this one is predominantly turquoise. It can shift between looking bluer or greener depending on the light. It makes me think of the sea and mermaids; it’s really pretty. I paired this with OPI We’ll Always Have Paris Suede with topcoat on my toes.